From the work of Joseph Karl Stieler, from 1820, a chromatic grid was developed, consisting of 81 squares, which form 9 squares, representative of the nine symphonies.
The use of this geometric form invokes computer communication – pixels, representing a language as innovative, radical and current as the music of Beethoven.
The conceptual component, not only through the constructive form, presents itself in the difficulty of perception of the image, answering the quotation with a question: Is it easy to be happy? The answer lies in the possibility of reading the painting, where, with an almost impossible departure, the image is revealed to us, proving that happiness is often present, with only a distance to its total perception and understanding.

Share This Post:

Share on facebook
Share on twitter
Share on pinterest
Share on linkedin

Leave a Comment

Your email address will not be published. Required fields are marked *

On Key

Related Posts

A City in Brazil Is Building a Statue of Jesus That’s Even Taller Than Rio de Janiero’s Towering ‘Christ the Redeemer’—See Images Here

One of the most famous statues of Jesus—Rio de Janiero’s towering Christ the Redeemer—has some new competition. An even taller statue is currently under construction in Brazil, titled Christ the Protector. The statue, also depicting Jesus Christ with arms outstretched as if on the cross, will stand more than 140 feet  tall, with a wingspan of more

Explore an Age-Old Medium with the Best Brushes for Ink Painting

Given the fluidity of ink painting, it’s imperative that painters be armed with trouble-free brushes. Whether used for ink-and-wash painting (sumi-e in Japanese) or calligraphy, these brushes typically have relatively long bristles that respond well to the artist’s hand, moving pigment with little drag. Traditionally, there are two main types of East Asian ink painting

Scroll to Top